오아 O2 미니 공기청정기

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=3985539501

연출 미반영 요구한 다각도 연출인데 프롬프트는 폰 촬영 register 그대로입니다 — 정규식이 이 표현을 못 잡았습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — handheld, natural micro-shake, spontaneous reframing, real skin and fabric weight. Available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean woman in her 20s, natural everyday look, calm and friendly demeanor. 100% match.
@Image2 — the product: 크림색 아담한 사각형 바디, 둥근 모서리, 앞면에 다수의 작은 통풍구(필터/배출구). 100% match; every word, logo and label exactly as the reference.
@Image3 — the person's face close-up, for face consistency only.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 carries appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 20 cm tall and 15 cm wide, a small rectangular tabletop unit — roughly one and a half times the length of an adult palm, easily lifted and turned in one hand. It must never look larger than her forearm.

LOCATION:
a compact Korean one-room studio at night, the air purifier sitting on a low folding table beside a small bed, with a drying rack and tight wall storage visible in the warm, lived-in light.

FIRST FRAME:
0.0s — front-camera selfie framing, arm's length, the person already resting both hands lightly on either side of the unit on the table, not yet touching its controls, mid-complaint before the shot even settles.

ACTION TIMING:
0–3s — Selfie framing, arm's length. She's mid-complaint about the small annoyance, sighing, a little frazzled, no greeting, straight into it.
3–5s — She reaches off-frame and brings the product up into the shot with one hand, turning it once so the front face reads clearly, introducing it as the fix.
5–8s — Camera holds tight on the product as she performs its one control: reaching out with one hand and pressing the single top button once, her fingertip lifting away immediately after the press, nothing detachable or removed and the front vents facing gently out into the small room, the soft drift of air barely stirring the air near the bed as she settles down to sleep. It works on the first try, camera staying on it rather than cutting away.
8–12s — Back to selfie framing. Her shoulders drop, she laughs at how simple it was. The LED on the front switches from off to a steady soft green and a faint, continuous ripple of air is visible drifting from the front vents as she wakes and leans close to check it. She holds the product up beside her face, still slightly out of breath.
12–15s — Bright, quick recommendation lands straight into the lens, product still in frame beside her face. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "자기 전에 이것만 켜놓고 잤거든요."
3–5s — "근데 아침에 일어났는데,"
5–8s — "목이 하나도 안 칼칼한 거예요."
8–12s — "이것 봐요, 표시등 초록색이고 필터에서 바람이 계속 살살 나와요."
12–15s — "원룸엔 진짜 이거 하나면 될 것 같아요."

PERFORMANCE:
LINE_1 — she wants to set the scene casually, almost to herself, placing the unit down with a light, unbothered gesture before glancing toward the listener.
LINE_2 — a small comedic pause of suspense, eyebrows lifting slightly as if building to a punchline, breath held half a second.
LINE_3 — genuine surprise breaking into a small smile, hand touching her own throat lightly to underline the discovery.
LINE_4 — she turns the product toward the camera, pointing at the indicator light with one finger, inviting the listener to look with her.
LINE_5 — a settled, satisfied nod, warm and conclusive, delivered like a verdict handed to a friend rather than a note to herself.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Cream-colored plastic-shell body, small rectangular unit with rounded corners, light enough to lift and turn with one hand.
- Front face covered in a dense grid of small round vents; a slim LED indicator sits near the top edge.
- Air moves out of the vents as a soft, barely-visible outward drift, not a visible gust or mist.
- Body stays rigid and cool to the touch; no part flexes, bends, or changes shape when handled.
- NEVER: it never blows a strong visible wind or emits any mist, smoke, or light beam from its vents.
- Scale is fixed: about 20 cm tall and 15 cm wide, a small rectangular tabletop unit — roughly one and a half times the length of an adult palm, easily lifted and turned in one hand. It must never look larger than her forearm. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of the quiet one-room studio at night — soft bedding rustle, a faint click of the button press, the almost-inaudible whisper of air moving through the vents, and her voice as the loudest thing in the mix; by morning, only quiet room ambience and her breath returning as she wakes, with no hum or mechanical drone at any point.

LOCKS:
① Exactly one product: one unit only, brought into frame once from off-frame at 3–5s. It is never handed over, unboxed, revealed as packaging or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and the named props are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout the complaint and the recommendation; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: if anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
an establishing move that pulls back and rises slightly to reveal the whole one-room studio, then settles into a straight-on framing of the product's front face, cuts to a macro on its indicator light, and finishes on a high-angle shot looking down at her sleeping and waking in bed. This applies to the whole clip and supersedes the register above wherever the two disagree.

PROPS:
a folded blanket at the edge of the small bed