랜드스케이프 더블 폴딩체어

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=3985539501

연출 반영됨 촬영팀 register 로 바뀌었습니다 — 폰 셀카 톤이 아니라 연출 촬영으로 조립됐습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal cinematic commercial footage — shot by a camera crew, not by the person on screen: composed and deliberate framing, production-grade lighting and colour, stable professional camera support, one continuous move. No selfie framing, no arm's-length phone shots, no hand-held micro-shake. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean woman in her late 20s to early 30s, casual friendly outdoor look, warm natural expression. 100% match.
@Image2 — the product: 베이지 패브릭 좌석, 메탈 프레임, 원목 팔걸이가 있는 접이식 아웃도어 체어(더블 사이즈). 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 65 cm tall, 140 cm wide and 80 cm deep as a double-wide folding chair — roughly twice the width of an open hand span across the seat, with wood armrests about one forearm's length each. It must never look larger than a doorway.

LOCATION:
an open grassy clearing beside a park walking trail, with trees and open sky in the background and no other furniture or branded objects nearby.

FIRST FRAME:
0.0s — An aerial drone shot opens high above the open park clearing and descends toward the chair, a second drone then skims past at eye level in a fast lateral pass alongside her, and the clip closes with a third drone pulling straight up into a top-down overhead view of her relaxing in the double folding chair below., the person centred at medium distance, already sitting back into the double folding chair with both armrests under her forearms, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. She opens straight into what she wants to say — no preamble, no greeting. Shot as: An aerial drone shot opens high above the open park clearing and descends toward the chair, a second drone then skims past at eye level in a fast lateral pass alongside her, and the clip closes with a third drone pulling straight up into a top-down overhead view of her relaxing in the double folding chair below.
3–8s — She raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: no control action — the chair arrives already unfolded and set up on the grass, so no opening or folding motion happens on camera
8–11s — The camera pushes in on the product as settling her full weight back into the beige fabric seat and resting both forearms on the wood armrests as she leans back so the result is unmistakable — it stays on it rather than cutting away.
11–15s — She lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. across the fifteen seconds she shifts her weight, leans back further, and stays visibly relaxed with no fidgeting or repositioning, showing the seat still supports her comfortably She lands the closing line as she does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "이 의자에 앉고 진짜 놀랐어요."
3–8s — "두 시간을 앉아 있었는데 허리가 하나도 안 아프더라고요."
8–11s — "팔걸이도 원목이라 느낌이 편안하고 좋아요."
11–15s — "공원 갈 때마다 이거 꼭 챙기게 될 것 같아요."

PERFORMANCE:
LINE_1 — genuine surprise at how comfortable it feels; eyes widen slightly, a small exhale before she speaks.
LINE_2 — reporting a real result plainly and warmly; she pats the armrest once as she says it, relaxed shoulders.
LINE_3 — noticing a detail she likes; she runs her fingers along the wood armrest as she talks.
LINE_4 — a light, satisfied closing thought aimed at the viewer; small smile, settling back into the seat.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Beige woven fabric seat stretched taut across a folding metal frame, with two natural wood armrests fixed on top.
- The metal frame joints fold and lock with a firm mechanical motion, the fabric seat flexing slightly and settling under body weight.
- Wood armrests stay rigid and do not flex when leaned on; the fabric seat shows gentle sag lines under sustained sitting.
- NEVER: the fabric seat or metal frame must never sag, buckle or collapse under her weight.
- Scale is fixed: about 65 cm tall, 140 cm wide and 80 cm deep as a double-wide folding chair — roughly twice the width of an open hand span across the seat, with wood armrests about one forearm's length each. It must never look larger than a doorway.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Just the rustle of grass and leaves in the light outdoor breeze, distant birdsong, the soft creak of the metal frame settling as she shifts her weight, and her spoken lines carrying clearly over the natural outdoor room tone.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
An aerial drone shot opens high above the open park clearing and descends toward the chair, a second drone then skims past at eye level in a fast lateral pass alongside her, and the clip closes with a third drone pulling straight up into a top-down overhead view of her relaxing in the double folding chair below. This applies to the opening of the clip and supersedes the register above for those seconds; the register above resumes elsewhere.

PROPS:
none